Category Archives: Portraits

Getting Started the Right Way

Starting something new can be tough. You’re not sure where to start or what to do. It is the great unknown.

Will I be able to do it?

What materials will I need?

Will this be more than I can handle?

What are the steps inthe process?

This photo represents fear and confusion of starting something new.

It is amazing what runs through your head and stops you from even trying.

That little voice that says “you can’t do it, you will fail, no point in trying”, or worse yet “you’ll never be able to do it”. This nasty little voice is often called the “inner critic”.

Dealing with the Fear of Starting

A really good book that I recommend reading is “Feel the Fear and Do It Anyway” by Susan Jeffers, where she addresses this problem. Jeffers states that to deal with this fear you need to train your mind to respond differently.

The key is to realize that at the basis of all fears is the thought that I can’t handle it or I am not capable of doing it.

Jeffers also states that it is normal to feel fear when we are about to try something new because it is unfamiliar to us. That we will feel fear as long as we grow.

We need to be able to develop trust in ourselves. Watch out for the When/then thoughts. These run along the lines of “When I have done or feel x, then I will…..” This puts roadblocks in the way of moving forward.

The other thing to watch out for is wish-washy self-talk. For example “I hope…. or Perhaps I…” rather than “I am looking forward to… or I will…”.  These final words are more definite and indicate that you are taking responsibility for your actions.

The only way to feel better is to go out and try it, whether it is learning to dance, trying a new technique, taking a class in an area that will require you to stretch, or anything else new. If you don’t try, you will remain stuck and never find out whether you really could do it!

It is freeing and exhilarating just to try something new and to be able to say “I did it!”

Photo represents accomplishment.

An example

Quilters state that the greatest challenges with creating fabric portraits are “getting started” and “fear of not making a realistic portrait“.

Here is a way to get around that fear. The Facial Expressions workshop is a step-by-step program that helps students to progress from selecting a photograph to having a finished portrait.

It includes group and individual support and walks you through where and how to start.

Then with guided steps, you work toward creating your realistic family heirloom portrait that you will be proud to hang on your wall.

And you don’t need to know how to draw!  So no fears there!

Are you up for trying something new?

Creating a Dynamic Fabric Portrait by Focusing on Value Challenge

Image of a fabric portrait of a little girl.

This is a FREE challenge to help quilters learn more about value in colour and how best to use value effectively when creating fabric portraits.

 

Do any (or all) of these describe you?

I want to know how to blend values.

I want to be able to determine value in fabrics.

I want to be able to select fabrics in the right values for a portrait.

I want to be able to to use shading to create dimension

 

Imagine for a moment what it would be like to:

  • easily identify value and choose fabrics effortlessly
  • know how to blend values
  • create depth and shading in a portrait

This can happen!

By putting into practice what I’ll be teaching in this challenge, you’ll see how easy this can be.

Learn what value can do to add dimension, realism and excitement to your art quilts!

Join the Challenge Now!

I look forward to seeing you there!

Val

Valerie Wilson Fibre Artist

P.S. REgistration open now  – Facial Expressions workshop!

 

What is it About Taking that First Step?

The biggest problem with starting something new is taking that first step. 

Often, we get stuck because we don’t know where to start or what that first step should be.

Part of this problem is an underlying unconscious fear. Fear that we will not be good enough, fear of not being able to do it at all, or fear of the unknown. So we procrastinate and “it”, whatever “it” is, is never attempted.

Procrastination comes into play and we never start, often using the excuse that we don’t know where to start. This is fear of the unknown or of making a mistake. Our inner critic warns us not to try as it could have horrible consequences.

I see this with people who want to create fabric portraits. Many yearn to create one but are afraid to start. They worry that the portrait will not accurately enough represent the person, or that “they” will not like it or that they do not have enough skill to create a portrait.

They stop themselves before they even try!

This fear can also generate strong emotions.

Even though I am now aware of the problem, I find that when I want to try something new that is outside my usual experience I get flustered and uptight. Have you ever had that experience?

If you take time out for a few minutes, or maybe for an hour or two, to do something pleasurable you will find that the feeling subsides. The best thing to do is something with physical activity involved.

Recently for me that meant going to Staples for some envelopes I needed, getting a latte at Starbucks (it was yummy!) and buying some embroidery floss at Michael’s.

Let your mind work on the issue in the background and later you will find that you are relaxed and have decided on a first small step.

Great resource

There is an excellent book by Susan Jeffers called Feel the Fear and Do it Anyway. Susan explains that fear is a built-in natural reaction to what is new or strange. 

She explains how we can reeducate our minds to accept the fear as normal and learn how to expand our zone of comfort so that the fear does not control us.

Does researching your topic help?

Image by StockSnap from Pixabay

It can!

However, another aspect of this fear of starting and a way of dealing with it is to research your topic. This feels safer and you tell yourself that once you know “how to” you will proceed. This can be an excellent idea if you restrain the impulse to keep on researching looking for that final perfect, definitive answer.

The problem here is that you can get lost in the research and it becomes an end in itself or you get lost in contradictory advice which leads to analysis paralysis. The result is the same – inaction.

My Experience

Taking the first step

This happened to me when creating my first quilt. I had picked out a Kaffe Fassett design that I loved and was excited about making. Here I was taking the first step! Then I started shopping for and collecting fabrics which ultimately became a stalling manoeuver, as I continued to feel like I never had enough different fabrics to start. Sound familiar?

Researching

Eventually, I got past that hurdle. Then I made the mistake of researching. Remember this was my first quilt (so picture me nervous).

I read the debate about prewashing your fabrics, or not, before making a quilt. I was now worried about what would happen if I didn’t prewash the fabrics.

Time passed and I decided that I would wash them. Yes indeed, including the triangles that I had cut out! It was a fast way to find out the quality of the fabric that I was using.  Can you relate?

Then I read about how difficult bias edges are to stitch as they stretch. Now I was terrified to go further. What if I wrecked it! So on the shelf, it went.

Eventually, it came out of the closet and was sewn on a vintage Singer sewing machine. That quilt turned out to be exactly the size it was supposed to be. I was thrilled! That experience gave me a larger comfort zone and a belief in my own skills.

That quilt turned out to be exactly the size it was supposed to be. I was thrilled! That experience gave me a larger comfort zone and a belief in my own skills.

Kaffe Fa

 

Can you see how researching too much and getting information from random sources can lead to never starting or having too many problems along the way?

What to do?

  1. Just start! Decide on a first step and go.

 Take the first step is like a leap into the unknown, but you can do it! 

2. Give your self permission to make mistakes

Mistakes are a part of learning. The best advice that my mother ever gave me (when wallpapering together) was to plan ahead what to do when there was a mistake. It was inevitable that there would be mistakes. It took all the stress out of learning.

Resource: Here is an interesting discussion on the Role of Failure in your Art Practise by some artists on Alyson Stanfield’s blog.

I tell my students that if they don’t like something they are working on they don’t have to show it to anyone. They can just toss it and use it as a learning experience and try again.

On the other hand, sometimes it is great to get feedback on specific issues and find out that it isn’t so bad after all and may actually look really good to others.

We are our own worst critics! 

3. Seek guidance.

A guide can help you figure out those steps and support you along the journey.

Seek out knowledgeable people, take courses or workshops and get support when trying something new, so that you don’t have to struggle to figure it all out by yourself. 

You don’t always have to agree with instructors and may decide to do things your own way in time but you learn the basics and have a solid foundation for future experimentation.

Remember that every time you start something new and then work at it you build up your confidence and expand your comfort zone.

What stops you from starting? How do you deal with it? 

I would love to hear your thoughts on the subject!

 

 

 

Enlarging a Photo and Printing it at Home (PC)

Resizing your Photo or Drawing and Printing it at Home. A Solution!

Have you wondered about enlarging a picture to print on multiple pages at home?

The Problem – Printing a Large Photo on a Home Printer

One of the big issues when teaching a portraits workshop is finding a way for students to easily resize and print their photos.

I have suggested a variety of options such as Block Poster (not really accurate enough for what we want to do), taking the photo to a printing shop or Staples. Or using a program such as Rapid Resizer.

I resize photos all the time for my portraits and use Rapid Resizer to enlarge and print them.  This is a great program and I will continue to use it. 

But I wanted to find a simpler, cost-effective solution for my students!

The Solution – MS Paint

Recently I was at a Fibre Art Network Conference and had a wonderful time catching up with other members. A big part of the conference is sharing information. 

Terry Aske mentioned that she uses a program called Microsoft Paint for enlarging and printing her patterns. Paint is a program that comes pre-installed on Windows computers.

Eureka! Problem solved!

Terry was kind enough to send me the instructions that she gives to her students. I have taken them and added detail and photos to make it super easy to follow along.

 

Step by Step Instructions – for Enlarging a Photo in Paint and Printing it on your Own Printer

The program Paint is found under:

 Start Menu: All Programs: Accessories in Windows 2007
Windows 2010 – it is under Accessories in 2010
.

The icon looks like this:

Paint palette and paint brush

  1. Open your photo in Paint by clicking on the file icon arrow in the upper left and choosing “Open”.

 

 

 

 

 

 

  2. Browse to where your photo is on your computer, select the photo and then click “Open”.

  3. Open “Properties” by clicking on the file icon (in the upper left corner) and selecting “Properties” to see the current size of your photo

 

 

 

 

 

 

 

 

 

 

 

 

4. Click on the circle next to “Inches“. It will be black when you click on it.

5.  Note the size of the photo shown in the boxes. The key measurement for portraits is the height. Changing the height will resize the rest of the photo.

Close Properties.

Paint - properties

Properties screen

 

 

The Process for Resizing your Photo

6. Determine what size you want your full-size photo or drawing and thus how much you need to enlarge the photo (percentage). The current size of your photo is 100%.

So if your photo is now 6” H and you want it 18” H, you would set the percentage increase at 300% (18 divided by 6 =3) and 3 x 100, so the photo would be enlarged by 300%.

 

7. Next, click the file icon again and select “Print” – “Page Setup”. 

 

 

 

 

 

 

 

 

 

 

 

8. Check that you have set the “Orientation” for the direction you want – either Portrait or Landscape.

 

 

 

 

 

 

 

 

 

The orientation for the above photo is “portrait”. Note the box on the left showing the orientation.

9. Find “Scaling” in the lower right and then click on “Adjust to” and enter the percentage for enlarging. Click OK.

Choose “Adjust To”

 

 

 

 

 

 

 

 

 

 

Printing

10. Click on the file icon and select “Print” – “Print Preview”

 

 

 

 

 

 

 

 

 

 

 

11. Look at the enlarged photo or drawing and check that it isn’t too pixelated to use. You can also see how many pages will print by counting the pages that you view (click on the down arrow repeatedly).

 

 

 

 

 

 

 

12. To print: select “Print” and choose the size of paper that you want to use (letter or legal). You can usually find this setting under “Preferences” and then click on Print.

 

 

 

 

 

 

 

 

Assembling the Photo

13. Lay out the printed pages and number them in the order that you want them.

14. Trim the borders, allowing some overlap for the adjacent page(s) and tape them together in order.

I have presented here a simple way to enlarge and print your photos or patterns at home on your own printer. I would love to hear what you think about this idea and what solutions you may have found.  Leave a reply below!

I look forward to hearing from you!

If you would like to get a PDF of these instructions (for a PC) so that you can have it handy when resizing your photos, you can get it here.

How to Create Facial Expressions in Portraits

How do you come up with the best facial expressions in a portrait?

Here is a new way of creating faces that will make it easier for you to get a good likeness in your portrait.

In the past, I traced the contours of the faces from the enlarged photos and then determined the values. I proceeded from there by creating the face out of fabric. I found that I wasn’t always totally happy with the results, particularly if I had too large a section of highlight.

Photo showing the tracing of a boy's facial expressions.

Tracing of boy’s face

New Method for Faces

So, what to do? I started in the same way by tracing the face, but then photocopied and printed the traced image, so that I had a copy that I could alter without changing the original.

 

Photo showing the photocopied tracing of a face (facial Expressions) that has been adjusted for the values.

Photocopied and adjusted.

I shaded in the face based on the values that I wanted and then checked to see whether I liked the result. You can see the numbers that I use for referencing the different values. The only problem with this method is that the photocopy doesn’t erase like a pencil drawing would. You can see the White Out that I used to remove some of the lines.

This is the second face that I did with this method:

A boy's face (facial expressions) showing the shading for a portrait.

Boy’s face 2

Once I have what I think is the best result, I lay the tracing, as seen above, back over the photocopy and adjust the lines on my original tracing. I use this traced image for the placement of the fabric pieces.

The Finished Face

And here is the result in fabric:

Boy's face recreated in fabric.

Boy’s face recreated in fabric.

I really like this method as I readily notice any odd lines, or shapes, and can double check the values that I have selected before I start cutting up the fabric.

These boy’s faces were difficult to create. The original photo had all the boys looking into the sun and their eyes were all squinty and the faces were somewhat overexposed. This is the time when a good book on sketching comes in handy. I am currently using “The Big Book of Realistic Drawing Secrets – Easy Techniques for Drawing People, Animals and More” by Carrie Stuart Parks & Rick Parks. It has really clear visuals for sketching and is a great reference for facial expressions.

Comments

What do you think of this method? Do you sketch your pictures first? What is your favourite reference book?

 

She’s a Cutie! My Latest Portrait Quilt Completed.

A little girl hoding a colourful sand pail stands on a beach.

Summer Fun Quilted

I have finished my latest portrait quilt, the little girl at the beach, and decided to call the quilt “Summer Fun”. She has turned out to be quite cute! I love her sparkly blue eyes and her sweet smile.

Close-up of girl's face

Detail of Summer Fun

Now I have to decide what the next one will be. I have two pictures that I am considering. One is a little girl sitting on a porch, and another is one of three boys in hockey uniforms, circa 1934. Subscribe to my blog, and find out what is next!

 

Gallery News

“Summer Fun” and a number of my other quilts are currently hanging in the Blankstein Gallery, on the second floor of the Millennium Library in downtown Winnipeg, MB. Here are a couple of photos of the preparations for hanging the show and a few of the quilts.

Laying out the quilts

Laying out the quilts

First we laid out the quilts on the floor, to decide the order in which they would hang. My husband was wonderful as a helper. Here he is putting a hanging rod in one of the quilts:

Getting the hangers ready

Getting the hangers ready

The next step was to actually get the quilts hung. It took us 2 1/2 hours to get it all done! It went faster after the first two, when we had figured out the easiest way to hang them. Here are some of the quilts on exhibit:

Vintage Portraits

Vintage Portraits

Nature's Glory

Nature’s Glory

And here is the view in to the gallery from the library:

 

View from the entrance of the Gallery

View from the entrance of the Gallery

It was wonderful to see them all hung. I hope that if you are in the area you can check it out! The gallery is open during library hours . The exhibit runs from August 3 – 30, 2015.

From Ugly Duckling to Swan

After I posted my progress on the little girl in the sunsuit, I decided she was in fact rather an “ugly duckling”.

I spent a couple of days, filled with angst before I figured out what was wrong.

Then came a number of changes to her face, hair and her eyes (I straightened them) and I like the result.

Part of the problem was the lack of eyebrows (see the previous post). Also, I felt that her hair looked too orange, so out came the Tsukineko inks.

I figured that if I hated the changes, I could always give her new hair. I am pleased to say that all worked out well! The new colour looks better and the highlights and shadows are in place.

She also now has feet and shoes which helps. Don’t you just love her strappy sandals?!

A little standing on a beach, holding a sand pail.

Girl in sunsuit revisited

I am now creating a beach scene in the background, complete with a sand castle!  So far, I only have a piece of paper standing in for the sand castle, as a prop, to see how it will fit into the scene.

I didn’t have a fabric that I liked for the water, so I painted some white fabric with Setacolor transparent paint. I love the look of the rolling waves. 

A small island in the distance helps with perspective and I have pinned a piece of multicolour fabric in place, as a test, to see if I like it for the sand pail.

If this piece is like any of my other works in progress, it will undergo several more changes before its final look.

Do you go with the flow when you are working on a piece, or do you have a plan and stick to it?

I would love to hear your thoughts on this subject. Please comment.

Exhibition Update

Well, I didn’t get them all sewn down before I left for Quilt Canada, but I was happy with what I had done. I knew, that I only had a few more pieces of fabric to sew down, once I got back home.

The plan is to get these guy done by mid-June, for my solo exhibition, so I have to concentrate and work hard!

4-Kids-done---no-background

The kids were cut off the backing that I had used – in this case, stabilizer. I will never use this again as it is too stiff, and wrinkles badly. Lesson learned! I was able to cut some of it away but left the rest in place.

The kids were then placed on the background that I created.

Kids-with-sleigh-and-trees-

I found a lovely fabric, at a local quilt shop, that looked to me a lot like falling snow. Wonderful for the sky! 

The trees I had painted were appliqued to the background. I played with positioning them as I wanted them to act as a frame for the kids on the sleigh.

Then on to sewing everything down. It always surprises me how long it takes. Why I don’t know, as I have done this many times. Maybe wishful thinking that it will be faster this time!

As seen below this piece had more snow added and further detail on the faces.

Kids-with-sleigh-and-snow

The next step is the quilting. First, the detail quilting the boys, and then on to the background.

I always have a hard time coming up with names for my art. Is this a problem for you too?

I am trying to think of a name for this quilt. Perhaps the Four Musketeers. What do you think? What name would you give this piece? Can you help me out? I would love it if you would!

Last minute changes

Based on a comment by a reader – Thanks Marg – I added further detail to the eyes of the boy at the front of the sleigh. My husband says “he is now looking at you and not staring”. Check it out below:

Eyes on boy at front of sleigh have added detail.

Eyes on the boy in front of sleigh have added detail.

I like the change!

Portraits Class

A recent class on Portraits was a lot of fun, and the students did some really great work!

Class members at work.

They were a quiet group, as they were concentrating hard!

They started by making a tracing of their enlarged photos. The tracing is shown here used as the overlay, for help in positioning the pieces of the portrait.

Adeline's tracing

Adeline adding small pieces of fabric for the face.They then progressed to adding small pieces of fabric, like a jigsaw puzzle, to a base fabric. Adeline was doing a portrait of her grandfather.

Adeline's grandfather finished

Adeline found some great fabric, that mimicked the 70`s print, that was in her grandfather’s shirt in the original photo. Her portrait looks great now, but will look even better, when the final details are added with the stitching!

Ricky had some initial problems with values in her fabrics:

Ricky working on portrait

But was able to overcome these early problems to create a good likeness of her husband:

Rickys portrait of her husband

Of course, this portrait is still in progress. Here Ricky was auditioning fabric for his hair.

Helen chose a photo of a friend, who had been in a Passion play with her. Although, the fabrics that she had brought to work with were a little on the green side, they made for a dramatic portrait.

Helen's start

Here is Helen hard at work:

Helen at work

The face done:

Helen's man

Adeline said that she had had a lot of fun and learned a lot. I can hardly wait to see the completed portraits!

 

Flowers, leaves and ribbons in free motion quilting.

Portrait of a Grand Lady

This woman is the subject of  my latest portrait, painted in fabric. I loved the photo of this woman as she looked so regal, and had just a hint of a smile.A lady wearing a lacy gown.

I decided that she needed a rich colour for her dress; and chose a deep burgundy fabric that I had hand-dyed.

It took a lot of searching to get the lace for her dress. I wanted a good quality lace in white, and  a large enough size to fill the bodice area. I  ended up using two pieces of lace for the front of her dress, to get the look that I wanted.

I glued the lace on using tiny drops of fabric glue to get it to stay in place, until I could sew the edges.

Detail shot of a ladies portrait in fabric.

Close-up of Milady

I debated what motif to use for the background as I wanted a vintage look. A friend Julia, from New Zealand, suggested trying to use the motifs from the lace.

It worked out really well, with a few ideas from a fabulous book called Doodle Quilting by Cheryl Malkowski. This is a great book for learning how to start free motion quilting and then how to combine different motifs. You can find the book here.

 

Flowers, leaves and ribbons in free motion quilting.

Floral free motion quilted background

I stitched this lady’s hair extensively as I wanted the upswept look and the little wisps sticking out.

This is the final result:

Portrait of a lady circa 1900 in a lacy ball gown.

Milady finished!

 

I am now on to my next portrait. Another portrait of a lady. This one in a white debutante gown. I’m not sure about doing a white dress, but I will give it my best shot!