Category Archives: Portraits

Enlarging a Photo and Printing it at Home

Resizing your Photo or Drawing and Printing it at Home. A Solution!

Have you wondered about enlarging a picture to print on multiple pages at home?

The Problem – Printing a Large Photo on a Home Printer

One of the big issues when teaching a portraits workshop is finding a way for students to be able to easily resize and print their photos.

I have suggested a variety of options such as Block Poster (not really accurate enough for what we want to do), taking the photo to a printing shop or Staples. Or using a program such as Rapid Resizer.

I resize photos all the time for my portraits and have been using Rapid Resizer to enlarge and print them.  This is a great program and I will continue to use it.  But I wanted to find a simpler, cost-effective solution for my students!

The Solution – MS Paint

Recently I was at a Fibre Art Network Conference and had a wonderful time catching up with other members. A big part of the conference is sharing expertise. 

Terry Aske mentioned that she uses a program called Microsoft Paint for enlarging and printing her patterns. Paint is a program that comes preinstalled on Windows computers.

Eureka! Problem solved!

 Terry was kind enough to send me the instructions that she gives to her students. I have taken them and added detail and photos to make it super easy to follow along.

Step by Step Instructions – for Enlarging a Photo in Paint and Printing it on your Own Printer

The program Paint is found under:

 Start Menu: All Programs: Accessories in Windows 2007
and under Windows Accessories in 2010
.

The icon looks like this:

Paint palette and paint brush

  1. Open your photo in Paint by clicking on the file icon arrow in the upper left and choosing “Open”.

 

 

 

 

 

 

  2. Browse to where your photo is located on your computer, select the photo and then click “Open”.

  3. Open “Properties” by clicking on the file icon (in the upper left corner) and selecting “Properties” to see the current size of your photo

 

 

 

 

 

 

 

 

 

 

 

 

4. Click on the circle next to “Inches“. It should be black.

5.  Note the size of the photo shown in the boxes. The key measurement for portraits is the height. If this is changed the rest of the photo will be resized accordingly.

Close Properties.

Paint - properties

Properties screen

 

 

The Process for Resizing your Photo

6. Determine what size you want your full-size photo or drawing to be and thus how much you need to enlarge the photo (percentage). The current size of your photo is 100%.

So if your photo is currently 6”H and you want it to be 18”H, you would set the percentage increase at 300% (18 divided by 6 =3) and 3 x 100, so the photo would be enlarged by 300%.

 

 

 

 

 

 

 

 

 

7. Next click the file icon again and select “Print” – “Page Setup”. 

 

 

 

 

 

 

 

 

 

 

8. Check that the “Orientation” is set in the correct direction – either Portrait or Landscape.

9. Find “Scaling” in the lower right and then click on “Adjust to” and enter the percentage for enlarging. Click OK.

 

 

 

 

 

 

 

 

 

The orientation for the above photo should be set to “portrait”.

Choose “Adjust To”

 

 

 

 

 

 

 

 

 

 

Printing

10. Click on the file icon and select “Print” – “Print Preview”

 

 

 

 

 

 

 

 

 

 

 

11. Look at the enlarged photo or drawing and check that it isn’t too pixelated to use. You can also see how many pages will print by counting the pages that you view (click on the down arrow repeatedly).

 

 

 

 

 

 

 

12. To print: select “Print” and choose the size of paper that you want to use (letter or legal). You can usually find this setting under “Preferences” and then click on Print.

 

 

 

 

 

 

 

 

Assembling the Photo

13. Lay out the printed pages and number them in the order that you want them.

14. Trim the borders, allowing some overlap for the adjacent page(s) and tape them together in order.

I have presented here a simple way to enlarge and print your photos or patterns at home on your own printer. I would love to hear what you think about this idea and what solutions that you may have found.  Leave a reply below!

I look forward to hearing from you!

How to Create Facial Expressions in Portraits

How do you come up with the best facial expressions in a portrait?

Here is a new way of creating faces that will make it easier for you to get a good likeness in your portrait.

In the past, I traced the contours of the faces from the enlarged photos and then determined the values. I proceeded from there by creating the face out of fabric. I found that I wasn’t always totally happy with the results, particularly if I had too large a section of highlight.

Photo showing the tracing of a boy's facial expressions.

Tracing of boy’s face

New Method for Faces

So, what to do? I started in the same way by tracing the face, but then photocopied and printed the traced image, so that I had a copy that I could alter without changing the original.

 

Photo showing the photocopied tracing of a face (facial Expressions) that has been adjusted for the values.

Photocopied and adjusted.

I shaded in the face based on the values that I wanted and then checked to see whether I liked the result. You can see the numbers that I use for referencing the different values. The only problem with this method is that the photocopy doesn’t erase like a pencil drawing would. You can see the White Out that I used to remove some of the lines.

This is the second face that I did with this method:

A boy's face (facial expressions) showing the shading for a portrait.

Boy’s face 2

Once I have what I think is the best result, I lay the tracing, as seen above, back over the photocopy and adjust the lines on my original tracing. I use this traced image for the placement of the fabric pieces.

The Finished Face

And here is the result in fabric:

Boy's face recreated in fabric.

Boy’s face recreated in fabric.

I really like this method as I readily notice any odd lines, or shapes, and can double check the values that I have selected before I start cutting up the fabric.

These boy’s faces were difficult to create. The original photo had all the boys looking into the sun and their eyes were all squinty and the faces were somewhat overexposed. This is the time when a good book on sketching comes in handy. I am currently using “The Big Book of Realistic Drawing Secrets – Easy Techniques for Drawing People, Animals and More” by Carrie Stuart Parks & Rick Parks. It has really clear visuals for sketching and is a great reference for facial expressions.

Comments

What do you think of this method? Do you sketch your pictures first? What is your favorite reference book?

 

She’s a Cutie! My Latest Portrait Quilt Completed.

A little girl hoding a colourful sand pail stands on a beach.

Summer Fun Quilted

I have finished my latest portrait quilt, the little girl at the beach, and decided to call the quilt “Summer Fun”. She has turned out to be quite cute! I love her sparkly blue eyes and her sweet smile.

Close-up of girl's face

Detail of Summer Fun

Now I have to decide what the next one will be. I have two pictures that I am considering. One is a little girl sitting on a porch, and another is one of three boys in hockey uniforms, circa 1934. Subscribe to my blog, and find out what is next!

 

Gallery News

“Summer Fun” and a number of my other quilts are currently hanging in the Blankstein Gallery, on the second floor of the Millennium Library in downtown Winnipeg, MB. Here are a couple of photos of the preparations for hanging the show and a few of the quilts.

Laying out the quilts

Laying out the quilts

First we laid out the quilts on the floor, to decide the order in which they would hang. My husband was wonderful as a helper. Here he is putting a hanging rod in one of the quilts:

Getting the hangers ready

Getting the hangers ready

The next step was to actually get the quilts hung. It took us 2 1/2 hours to get it all done! It went faster after the first two, when we had figured out the easiest way to hang them. Here are some of the quilts on exhibit:

Vintage Portraits

Vintage Portraits

Nature's Glory

Nature’s Glory

And here is the view in to the gallery from the library:

 

View from the entrance of the Gallery

View from the entrance of the Gallery

It was wonderful to see them all hung. I hope that if you are in the area you can check it out! The gallery is open during library hours . The exhibit runs from August 3 – 30, 2015.

From Ugly Duckling to Swan

I decided, after I posted my progress on the little girl, that she was in fact rather an “ugly duckling”. I spent a couple of days, filled with angst, before I figured out what was wrong. I made a number of changes to her face, and hair (and straightened her eyes), and am much happier with the result. Part of the problem, with the look of the little girl, was the lack of eyebrows (see previous post). Also, I felt that her hair looked too orange, so out came the Tsukineko inks. I figured that if I hated the changes, I could always give her new hair. I am pleased to say that all worked out well! The new colour looks much nicer, and the highlights and shadows are in place. She also now has feet and shoes which helps. Don’t you just love her strappy sandals?!

A little standing on a beach, holding a sand pail.

Girl in sunsuit revisited

I am now creating a beach scene in the background, complete with sand castle! So far, I only have a piece of paper standing in for the sand castle, as a prop, to see how it will fit in to the scene. I didn’t have a fabric that I liked for the water, so I painted some white fabric with Setacolor transparent paint. I love the look of the rolling waves.  A small island in the distance helps with perspective and a piece of multicolour fabric is pinned in place, as a test, to see if I like it for the sand pail. If this piece is like any of my other works in progress, it will undergo several more changes before its final look. Do you go with the flow when you are working on a piece, or do you have a plan and stick to it? I would love to hear your thoughts on this subject.

Exhibition Update

Well, I didn’t get them all sewn down, before I left for Quilt Canada, but I was happy with what I had done. I knew, that I only had a few more pieces of fabric to sew down, once I got back home. The plan is to get these guy done by mid- June, for my solo exhibition, so I have to concentrate and work hard!

4-Kids-done---no-background

The kids were cut out of the backing that I had used – in this case stabilizer. I will never use this again as it is too stiff, and wrinkles badly. Lesson learned! I was able to cut some of it away, but left the rest in place.

The kids were then placed on the background that I had started.

Kids-with-sleigh-and-trees-

I found a lovely fabric, at a local quilt shop, that looked to me a lot like falling snow. Wonderful for the sky! The trees were painted and appliqued on. Some time was spent determining their final positions. I wanted them to frame the kids on the sleigh.

Then on to sewing everything down. It always surprises me how long it takes. Why I don’t know, as I have done this many times. Maybe wishful thinking that it will be faster this time!

Here they are with more snow added and additional detail on the faces.

Kids-with-sleigh-and-snow

The next step is the quilting. First, detail quilting the boys, and then on to the background.

I always have a hard time coming up with names for my art. Is this a problem for you too?

I am trying to think of a name for this quilt. Perhaps the Four Musketeers. What do you think? What name would you give this piece? Can you help me out? I would love it if you would!

Last minute changes

Based on a comment by a reader – Thanks Marg – I added further detail to the eyes of the boy at the front of the sleigh. My husband says “he is now looking at you, rather than staring”. Check it out below:

Eyes on boy at front of sleigh have added detail.

Eyes on boy at front of sleigh have added detail.

I like the change!

Portraits Class

A recent class on Portraits was a lot of fun, and the students did some really great work!

Class members at work.

They were a quiet group, as they were concentrating hard!

They started by making a tracing of their enlarged photos. The tracing is shown here used as the overlay, for help in positioning the pieces of the portrait.

Adeline's tracing

Adeline adding small pieces of fabric for the face.They then progressed to adding small pieces of fabric, like a jigsaw puzzle, to a base fabric. Adeline was doing a portrait of her grandfather.

Adeline's grandfather finished

Adeline found some great fabric, that mimicked the 70`s print, that was in her grandfather’s shirt in the original photo. Her portrait looks great now, but will look even better, when the final details are added with the stitching!

Ricky had some initial problems with values in her fabrics:

Ricky working on portrait

But was able to overcome these early problems to create a good likeness of her husband:

Rickys portrait of her husband

Of course, this portrait is still in progress. Here Ricky was auditioning fabric for his hair.

Helen chose a photo of a friend, who had been in a Passion play with her. Although, the fabrics that she had brought to work with were a little on the green side, they made for a dramatic portrait.

Helen's start

Here is Helen hard at work:

Helen at work

The face done:

Helen's man

Adeline said that she had had a lot of fun and learned a lot. I can hardly wait to see the completed portraits!

 

Flowers, leaves and ribbons in free motion quilting.

Portrait of a Grand Lady

This woman is the subject of  my latest portrait, painted in fabric. I loved the photo of this woman as she looked so regal, and had just a hint of a smile.A lady wearing a lacy gown.

I decided that she needed a rich colour for her dress; and chose a deep burgundy fabric that I had hand-dyed.

It took a lot of searching to get the lace for her dress. I wanted a good quality lace in white, and  a large enough size to fill the bodice area. I  ended up using two pieces of lace for the front of her dress, to get the look that I wanted.

I glued the lace on using tiny drops of fabric glue to get it to stay in place, until I could sew the edges.

Detail shot of a ladies portrait in fabric.

Close-up of Milady

I debated what motif to use for the background as I wanted a vintage look. A friend Julia, from New Zealand, suggested trying to use the motifs from the lace.

It worked out really well, with a few ideas from a fabulous book called Doodle Quilting by Cheryl Malkowski. This is a great book for learning how to start free motion quilting and then how to combine different motifs. You can find the book here.

 

Flowers, leaves and ribbons in free motion quilting.

Floral free motion quilted background

I stitched this lady’s hair extensively as I wanted the upswept look and the little wisps sticking out.

This is the final result:

Portrait of a lady circa 1900 in a lacy ball gown.

Milady finished!

 

I am now on to my next portrait. Another portrait of a lady. This one in a white debutante gown. I’m not sure about doing a white dress, but I will give it my best shot!

 

 

 

 

Stepping Out – my latest portrait

My latest portrait is done! This little girl looks as though she has just started walking, and is delighted to be able to get around on her own.

I was thrilled to have it finished! The next thing then was to decide on a title for this portrait. I have a difficult time naming quilts. Do you? My husband suggested “Spokesperson”.  Funny, but no.  After some deliberation, I finally decided on “Stepping Out”.

Wilson_Valerie_Stepping-_Ou

 

I did some research on the car, to try and date the photo. I love researching the details! It helps to bring the person, and the piece, to life. I found out that this car was probably a 1920 – 30’s car.

Then at a recent vintage car show in Selkirk, MB I found a 1925 model, beautifully restored! I was thrilled! I took several photos and used these to help with some of the details that were “flashed out” in the original photo.

 

Vintage 1925 car

Vintage 1925 car

 

One major part of this quilt was done twice, to get the look that I wanted. I redid the entire car as I decided that, although looking great, it was too bright in relationship to the little girl. I wanted the girl to be the focus, not the car.

Little girl with vintage car

Stepping Out – first attempt

I find that I always resist changing anything, as I see all the work that needs to be done again. I try to talk myself out of changing anything. So I go away for a break, and as soon as I get back, I look at the portrait. If something is still bugging me, I resolve to change it. I am always happier with the result in the end. I then take a deep breath, and just start.

Have you ever had to redo part of your quilt? How did you meet the challenge? Do you have any advice for people facing the same situation?

A Sneak Preview of my Latest Portrait Work

This is my latest portrait in progress. I have done more work on it since I took this photo, so this is only a teaser.

This little girl intrigued me from the first moment that I saw the photograph. She is just starting to walk, dressed in her rompers (puffy looking, probably from her diaper underneath), her hair sticking out in all directions and holding on to the spokes of this 1930’s car. She is just so cute! It brought back memories of photos that my parents had taken of me and my family.  I always wonder what the story is behind the photo.

Little girl with 1930's car

Portrait of girl with 1930’s car

The original photo was quite small – only 2″ x 3″, so I enlarged it, so that the child would be closer to life size. The larger size also makes it a lot easier to recreate the details. This piece will finish at 25 1/2″ x 35 1/2″.

When I start on a new piece, I choose the details that I think are most relevant to the picture, and then decide on the values (e.g. light, medium and dark), and finally the colours that I feel best fit the scene. I wanted the little girl to stand out and be the focal point, so I chose a bright red for her T-shirt. The car will be a blue-green, to complement the red. You can see some of the fabrics, that I am thinking of using for the car, on the right side of the photo.

The method that I use to create my art is fusible applique, where a sticky film is adhered to the back of each piece of fabric, and then the pieces are assembled like a puzzle to create the picture. Once the picture is complete, it is ironed to fuse it and to keep everything firmly in place. Then, I add stitching to add further detail, and finally quilt the piece to add dimension. I am looking forward to getting the car started!

Let me know what you think!