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3 Steps For a Successful Fabric Portrait

Portrait in fabric of the head and shoulders of a man.

Do you want to try doing a fabric portrait?

You know how hard it can be to get started on a new project or a new technique. There is often a sort of paralysis that takes hold because you don’t know where to start. 

The answer is to have a guide that will get the process started with clear, detailed instructions.

This guide is being offered to you free of charge and details the first 3 steps you need to take when creating a portrait.

I want to thank you for your interest in my work and offer you this chance to learn more.

You can find the guide in my Facebook group – Fabric Faces. Just click here to receive this free guide.  I hope to see you there!

Enlarging and Printing a Photo at Home – the MAC Version

Enlarging and Printing a Photo at Home – the MAC Version

 

 

A number of people asked me about enlarging and printing a photo at home with a MAC computer after I posted on this blog about this process on a PC.

I think that I have found a way!

The first step is using a photo program called Photoscape X which is a free download. I tried the Windows version and assume that the MAC version is very similar. I feel that I can say this having watched several videos on this program (MAC version) on YouTube.

Here is what you need to do to resize a photo in Photoscape X: 

Resizing

  1. Open your photo in Photoscape X in the Editor.
  2. Choose Edit – Resize. Depending on what measurement system you use you may want to change the sizing to inches from the default millimeters.
  3. Change the size of your photo to your desired size. Click Apply.
  4. Save your photo to the original folder. Rename the file if you don’t want to overwrite your original photo!

Printing

There are at least 2 options:

Posterazor 

This is program is a free download. 

It allows you to save your photo as a PDF which can be printed on multiple pages.

Split Print

Go to the MAC App Store and look for Split Print.

The app costs $8.49. It allows you to print an enlarged photo over multiple pages on your home computer.

Comments welcome!  I would love to hear from MAC users about whether this process works for them! 

New Online Fabric Portraits Workshop

I am very excited to announce the launch of my new fabric portraits online workshop called Facial Expressions.

Me relieved that the end is in sight.

The prep has been crazy! There is a huge amount to learn when setting up an online course. Most of the learning is how to use the technology involved. There were many days when I wanted to pull all my hair out!

But now I am ready for the launch. Finally!! I am looking for people to be part of my Workshop Launch Team. These special people will take the workshop and provide me with feedback on how I can fine tune the content.

If you are interested, check it out here on my Online Workshops Page.

 

 

Correcting your Mistakes 101 – A Rescue Operation

Mistakes happen! Have you worked on a project for a long time only to find out that there is a major flaw?? This was my experience recently.

The Problem

First of all, I had been letting other aspects of my business take precedence over making art. My wakeup call came when I was talking to my hairdresser the other day. She asked again how I was doing with my hockey boys. I was a little embarrassed to have to say “not much”. I decided right there and then that I would get the last pieces of fabric in place starting that day.  It only took me 2 hours and it was complete! I was elated!! 

With the assistance of my husband, I carefully took my “boys” off the design wall. My experience with having this piece on the design wall for a long time is that humidity and Steam a Seam II Lite don’t go well together. A story for another day! 

As a result, I had to make sure that all the fabric pieces were back in place before I fused all the applique. A long time later it was done. It felt so good!! I had the design complete!

I hung the piece back on the design wall and moved my work table so that I could take a good long look at it. That was when I realized to my horror that one of the 3 boys had a distinct lean to one side!!! One of those “yikes” mistakes. I was devastated. All that work and now it was ruined. 

Three boys in vintage hockey uniforms. Boy on the right is leaning to the side.

The hockey boys. Look at the guy on the right!

Of course, I did the only thing that made sense. I ranted and raved and cried a few tears. I didn’t even want to look at it.  Over the next few days, I kept going back to take a look and see if it was really as awful as I imagined. Some days I almost convinced myself that it was OK. Other days I was more realistic. 

The Solution

A few days ago I decided that it was time to stop thinking about it and to try and do something about fixing it.  It couldn’t remain as it was. I had decided on a rescue plan. 

The decision was to cut from the top of the background right down to the toe of the skate. I was hoping that I could pivot the boy on the right over to the left without distorting anything.  A very deep breath and I started!

I started by cutting the background fabric above and to the right of the boy’s head. I then cut carefully along the line of his hair on the left side, down along the edge of his sleeve and the rest of this clothes and down to the toe of the skate. Managing to loosen the fabric pieces, at the elbow and the hand where the two boys overlapped (see below), made it easier to cut them apart at that point.  I wanted to cut as close to the figure as possible without nicking any of the edges.

Detail of overlap of sleeves and mitt/hand.

Detail of overlap of sleeves and mitt/hand.

Once I had the boy on the right mostly cut out, I pivoted him towards the boy in the middle so that they overlapped more. I had to cut away parts of the mitt to avoid shadowing and decided that the boy in the middle should have his elbow on top, not underneath as originally planned, which entailed more very careful cutting.

Then I had to adjust the shadow at the elbow of the jersey, for the boy in the middle, by adding some lighter fabric, as now his arm was on top. I used white Elmer’s glue applied in tiny dots to hold the repositioned section in its new position.

The Result

It worked!! I am pleased with the result and learned that the hand-dyed fabric that I used for the sky blends beautifully when cut. My hope is that the quilting will help to hide the cut in the fabric.

Here is the after photo. Much improved.

Three boys in hockey uniforms standing straight. Mistake corrected.

Adjustments made!

I am so glad that I got up the courage to correct this piece. As a result, I have learned that making a mistake is not necessarily the end of a piece. If you give yourself time to get some emotional distance from the problem and you open your mind to the possibility of rescue, amazing things can happen. Mistakes can be corrected.

Have you ever made a mistake or mistakes in a piece that you loved? What did you do about it?  I would love to hear about your experiences! 

Choosing a Photograph for a Fabric Portrait

When teaching a fabric portrait workshop, the question I get asked most often is “How can I know that I am choosing a good photograph to use for my portrait?” Choosing a photograph can be an easy process by paying attention to the following tips.

5 features to pay attention to when selecting a photo.  Use these tips for a stress-free experience!

1. Head and shoulders photo

For someone starting out doing fabric portraits, it is best to start with a photo that shows only the head and shoulders of a subject. This generally means that the photographer got closer to their subject and that you have a  clearer, larger image to use. This also means that it will be a manageable size for a first attempt. 

Head and shoulders photo

2. The lighting is balanced

You want a photo that shows good light and dark areas (contrast) like this one:

head and shoulders photo of a man.

My good looking husband!

Lighting Not Balanced

If the face of the person is too light, it will be hard to distinguish the planes of the face and will make it very difficult to create a pattern for the portrait. Here you can see that the detail on the light side of the face is lost. 

 

Photo overexposed

On the other hand, if the lighting is inadequate, the face will be all dark and it will again be hard to distinguish the correct values and the details of the features.

 

 

3. Copyright free

You want to be sure that you have the right to use the photograph that you choose. 

The person in the photo has some say in how the photo is used and the photographer may hold the copyright for the photo, particularly if it is one taken of a famous person.

It is always best to ask for permission to use a photo and to get that permission stated in writing (emails are OK).

There are a number of free image sites that provide copyright free photos. Just be sure to check their rules of use.

Some sites for free photos are: 

https://pixabay.com/ 

https://unsplash.com/

https://www.pexels.com/

 

4. Have a good quality photo – size and quality matter

Since you will be enlarging the photo for your fabric portrait. it is a good idea to choose a good quality photo in the beginning.

The best size to have is no smaller than 6″ x 8″ (15cm x 20cm), taking in to account tip #1 above. Small photos with a number of people in them generally do not enlarge well for a portrait.

As well, blurry photos make it difficult to accurately determine the outlines of the features and without this critical element, the resulting portrait will look distorted.

Woman holding a small child - too blurry for a good fabric portrait

 

5. Choose a photo for a fabric portrait that tells a story

Choose a photo that intrigues you. You will find it more interesting to work on the portrait if it tells a story.

I choose my photos because of the expression on a face, the clothes and or/the stance of the person. The combination of these elements adds to the portrait.

A lady wearing a lacy gown.

You may want to create a portrait of a grandchild. Do you have a photo that shows them doing something memorable?

If the photo is of a parent or spouse, is there one that shows them as you most like to think of them? 

Does it tell a story or create a mood?

 

To receive my complete guide and checklist with these and more tips for choosing a good photograph for your fabric portrait, sign up for my newsletter.


 

 

 

 

Solo Show Update

Read about the latest news on my art work, and an update on my solo show at the Portage & District Arts Centre in Portage la Prairie, MB held in April/May of this year.

Fred

The first portrait is a man standing in the doorway of an old building. Is it his home or is it his workshop? He is dressed in his finest clothes, which must have fit him well as a younger man, but now hang on his body. In spite of this, he displays a quiet pride and shows off his prized gold pocket watch.

Fred

Fred

I experimented with hand-dyed cheesecloth to give the effect of weedy ground, and strips of hand-dyed facial wipes for the weeds. Have you ever tried these type of materials in your work?

 

The Dandy

The next portrait was based on a picture of a young man who looked very much the dandy, so that became the name of this one. He looks very self assured and definitely has attitude. Don’t you just love the buttons on his shoes!?

The Dandy

The Dandy

It was interesting doing his face, as the shadow of the hat made everything black in the photo; with no detail. I needed to lighten the shadow and redraw the eye.

Then I ran in to another issue. I created one leg of his pants only to find that if I went with the dark shadow, as per the photo, it looked as though he was wearing a jacket and pants, not a suit, so the leg of his pants was redone.

 

Ed

The third portrait was a commission from a colleague. The photo chosen was a portrait of her husband to be completed for a birthday present. The photo she chose was one of her husband in the early 1940’s in his Air Force uniform. I sourced an original cap badge, the flash for his jacket and the uniform button to dimension to the portrait. Many thanks to Marway Militaria here in Winnipeg for their help finding these items! The hat was done with trapunto on one side to add the tilt to the hat.

Ed

Ed

 

My Solo Show

Here are some photos from the show. The first photo was taken just after the show was hung. The rest of the photos are from the Opening Night.

Pre-show

The show has been hung!

Opening-night---Ed_Willy-and-her-sister-(web)

Opening Night and the Show Banner

Wall of the gallery showing The Dandy.

Inspecting “The Dandy”

Opening-night5-(web)

Opening Night Crowd at my solo show

Opening-night6-(web)

Getting up close.

The gallery was great on PR so I had several interviews on local radio stations and a write up in two newspapers.  The evening started off with my talk about my journey as an artist, followd by a question and answer period. I invited friends and people interested in my work and we had a wonderful turnout with lots of great discussions.

Have you completed any new work recently? Do you show your work? Where do you show your work – group exhibits, quilt shows or ???

 

The Boys in Blue

Usually, the phrase “the boys in blue” makes you think of policemen. Not here! In this case, it is two men in vintage navy blue bathing suits enjoying the sunshine and the beach. I love the old style bathing suits!

Two men in vintage bathing costumes, standing on the beach. Commercial and hand-dyed cotton, paint. Valerie Wilson 2015

Men in vintage bathing suits. Commercial and hand-dyed cotton, paint. Valerie Wilson 2015

This quilt with the two men in vintage bathing suits, will make a great companion piece for “The Bather” that is currently being exhibited at the World Quilt Show.

The Bather

Can you imagine having had to wear one of these suits? And especially since they were usually made of wool! Wool makes me itch!

Anyway, back to the two guys.

What intrigued me about these guys was the differences between them. One fellow is tall and muscular looking, and has wonderful curly hair, while the other man is a little flabby looking with slicked back hair. They both looked as though they were having fun, however.

Here is the original photo:

Two men in vintage bathing suits standing on a beach.

 

I had a few problems with the one fellow’s hand, as he must have moved as the photo was taken, and it blurred that part of the photo. I referenced a number of drawing books and had my husband modeling that posture, so that I could see what the hand should look like and what size it should be. I think that it turned out well.

The other issue I had was that they are looking in to the sun, and squinting, and all you can see was black slits where the eyes should be. I thought initially that I would just use a dark fabric there, but found in the end that I really wanted to be able to see their eyes. So back to the drawing books, and many sketches later, they could see!

Detail of eyes

Detail of eyes

A further issue was that I wanted it to have it look as though they has sand on their feet. How to achieve this effect? I even considered gluing some real sand on! Beads I felt would be too much and take to long to attach. Finally, I decided to try paint. I used some fabric paint and tested first on a scrap of fabric. With much trepidation, I decided that I had the effect that I wanted and that I should now add the paint to the quilt. Very nervously, I carefully added the paint to their feet and it worked! I was so pleased!

Sand on feet

Sand on feet

Now I am having a problem naming this piece. Friends have helped with suggestions for names, but so far, nothing has felt right. What is the one man listening for? Did someone call their names, or say something humorous? What would you title this piece with these two men in vintage bathing suits? What do you think? Can you help with a name? Suggestions welcome!

 

Girl Sitting on the Step

I have completed the little girl sitting on the step!

Little girl on step - Valerie Wilson 2015.

Little girl on step – Valerie Wilson 2015.

I love the pink socks and the Mary Jane shoes. The colourful polka dot fabric for her dress was a great find. This piece came together well. I am very pleased with her hair, as I tried a different technique of layering small pieces of fabric to create it.

I wonder what her story is?

She looks a bit hesitant and somewhat sad, and is biting her lip

Did a best friend not come to play?

Is she all dressed up to go someplace special, and has been told to go outside, but to stay clean, until the family leaves for the event?

Is it her birthday, and she didn’t get the present that she most wanted?

I always wonder about the back story behind the photographs that I use. Do you see a story in this piece?

I think that she needs a name. One person suggested Violet.

Would you give her a name, or name the quilt? Such as “All Dressed Up and No Place to Go” or …………..

Let me know your ideas!

 

 

 

Little Girl on the Step

As promised, here is my latest piece in progress. The background is done. I had fun working on the door, to get the highlights and shadows in the panels. Having once owned an architectural antiques business helped here, as I have seen a lot of this type of panelled door.

A quilt in progress shwoing the side of a house and the doorstep with an outline of a little girl.

Little girl on step – in progress

Isn’t it neat the way that the bacground defines the space for the little girl? This demonstrates the importance of the negative space surrounding something.

I layered two colours of brown for the boards on the side of the house. I liked the effect, but  thought that it looked a bit plain, so added some slightly darker bits on top to give it some interest. I am almost out of this fabric, and will be sorry to use up the last of it. It has been most useful for portraying aged wood, or fence posts.

As you can see I have started working on the little girl’s face. It looks really strange with only the face there! I may yet adjust the shading on her face, but will leave it for the moment, as this piece is still in the “ugly phase”. I also need to remember that I will be adding detail with the stitching, and quilting, later on. Do you find that your quilts go through an ugly phase before they are complete?

 

 

 

 

Sun and Sand

 

A little girl, dressed in a sunsui and carrying a sand pail, stans in front of some bushes.

I have been working on my latest vintage portrait of a little girl with a sand pail. I loved her smile, the funky sunsuit, pail and sandals. Don’t you just love the tan line on her legs? It looks as though she normally wears longer shorts.

Since so much of her face is in dark shadow, the trick was to create what I couldn’t see. I think that she is coming along fairly well. Her face will gain more definition after adding stitching. It is always hard to remember that the stitching adds so much life, and detail, to the portrait.

And now, I see below, that I need to move one of her irises, as she is looking a little cross-eyed.

 

Girl started

Girl started

I have changed her hair twice now, as I didn’t like the first set of highlights that I did, and originally I had given her a little flip of hair on the left, but decided it looked odd, so cut it off. I like the rounded look of the cap of hair better.

Do you make adjustments as you work, or do you keep to a set path in your work?

I find photos a great help for me to notice little things that need adjusting. It is so easy now with digital cameras!

Do you take photos of your work as you go?